When Shiraha confronts her, she explains that her purpose in life is to be a konbini employee, even though she knows that it would be easier and more convenient for her to live the semblance of a "normal" life with him. She sees that the store is not as regulated and immediately begins rearranging the merchandise and assisting the staff. On the way to the first job interview, Keiko and Shiraha stop at a konbini. She stays home doing nothing, and only at Shiraha's insistence applies for steady jobs. They decide that by pretending to be a couple, they can avoid problems with families and a society that expects them to have romantic relationships, children, and stable jobs.Īs part of the plan, Keiko eventually quits her job in the konbini, though she immediately feels that her life has lost purpose. While they have no affection for each other, Shiraha eventually moves in with Keiko. Keiko meets Shiraha, a man who cannot hold a steady job and lives on the fringes of society since he doesn't conform to "normal" expectations. Keiko maintains some friendships and a relationship with her sister, but finds it increasingly difficult to explain why, after 18 years, she is still single and working as a temp in a convenience store. She models her behaviour, dress style, and even speech patterns on those of her coworkers. The highly regulated world of the konbini, where each action is prescribed by the corporate manual, allows her to maintain an identity acceptable to those around her and a sense of purpose. She has known since childhood that she is "different" and that expressing her own views and actions is inexplicable and distressing to others, and causes problems. “¿Por qué?” means “Why?” (for what reason) while “¿Para qué?” means “Why?” (for what purpose).Keiko Furukura is a 36-year-old woman who has been working part-time at a convenience store, or konbini, for the last 18 years. “Por” and “para” can also be used in questions. It is quite important to learn to use these two prepositions correctly, because if you inadvertently substitute one for the other, you might end up saying something altogether different from what you had intended.
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Rule: “estar para” to express an action that will soon be completed Rule: to express a contrast from what is expected Model: Necesito el vestido para el lunes. Rule: to express a deadline or specific time Model: Para hacer una paella, primero dore las carnes. Rule: to mean “in order to” or “for the purpose of”
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Rule: to show the use or purpose of a thing “Para” - in contrast, has relatively fewer uses. “Por” also appears in many idiomatic expressions: Model: El libro fue escrito por Octavio Paz. Rule: “estar por” means to be in the mood, or inclined to do something Model: El hombre murió por falta de agua. Rule: when followed by an infinitive, to express an action that remains to be completed, use por + infinitive Rule: to show the reason for an errand (with ir, venir, pasar, mandar, volver, and preguntar) Rule: in cases of mistaken identity, or meaning “to be seen as” (I prefer to travel by train and speak by phone.) Model: Prefiero viajar por tren y hablar por teléfono. Rule: for means of communication or transportation (One can see the stars during the night.) Model: Se puede ver las estrellas por la noche. Rule: to express an undetermined, or general time, meaning “during” Rule: to mean “on behalf of,” or “in favor of,” Model: Él me dio diez dólares por el libro. Rule: when talking about exchange, including sales Rule: meaning “through,” “along,” “by” or “in the area of” (I go to the restaurant five times per week.) Model: Voy al restaurante cinco veces por semana. Rule: for velocity, frequency and proportion “Por” has many uses, and so it is the more problematic of the two.
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Learn the rules for how por and para are used.Subjunctive VIII: Actions not yet completed Subjunctive III: Verbs that change orthographically Subjunctive II: Conjugating regular and stem-changing verbs